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Science, Fantasy

Shadowheart epub ebook

by Tad Williams

Shadowheart epub ebook

Author: Tad Williams
Category: Fantasy
Language: English
Publisher: Orbit (November 1, 2011)
ISBN: 1841499242
ISBN13: 978-1841499246
Rating: 4.7
Votes: 667
Other formats: doc docx lrf azw

The Finest in Imaginative Fiction by. Tad williams. The war of the flowers.

The Finest in Imaginative Fiction by. Memory, sorrow and thorn. The dragonbone chair. To green angel tower.

Tad Williams has held more jobs than any sane person should admit to-singing in a band, selling . The climax of Shadowheart is vast, complex and full of exactly the sort of great adventure I expect from Williams' books.

Tad Williams has held more jobs than any sane person should admit to-singing in a band, selling shoes, managing a financial institution, throwing newspapers, and designing military manuals, to name just a few. He also hosted a syndicated radio show for ten years, worked in theater and television production, taught both grade-school and college classes, and worked in multimedia for a major computer firm. Ferras Vansen, of course, amazing.

FREE shipping on qualifying offers. When it comes to inventing new worlds, he's as skilled as . Tolkien and Frank Herbert.

Praise for shadowheart. His books are immersive, drawing the reader into his work, seducing them to not notice time flying past them as they delve further into Williams’s imagination. €œA fourth volume that nails everything you could want from the conclusion of an epic fantasy yarn… rich in detail and exploding with imagination. Dive in there and lose yourself - SFX. The plot springs from climax to climax as intrigues and secrets are unwound and revealed.

Tad Williams is a very gifted storyteller, with an astonishing imagination. This final volume of the e is no different

Tad Williams is a very gifted storyteller, with an astonishing imagination. This final volume of the e is no different. I fear either Mr. Williams or his publisher have not quite come to terms with the fact that they're selling books, not ground meat. What I mean: as if paid by the weight of the product. Williams' "Otherland"-saga suffered from this flaw as well: just too much.

Because he could not undo what the Orphan had done, the Horned Serpent fled far into the cold north, to lands where ice and darkness still lived.

Because he could not undo what the Orphan had done, the Horned Serpent fled far into the cold north, to lands where ice and darkness still lived un burned in the sky once more, and thanked the Three Brothers. from A Child’s Book of the Orphan, and His Life and Death and Reward in Heaven THOSE WHO DIDN’T FLY THEM didn’t know anything about it-flittermice and birds were just different. A bat didn’t push as smooth as a bird, and the glide was shorter.

Shadowplay is a fantasy novel by American writer Tad Williams, the second book in the Shadowmarch tetralogy. It was released in hardcover in the US in March, 2007 and has been released with a region-specific hard cover in the United Kingdom (March 1, 2007). Book one, Shadowmarch, was published in November 2004. Book three of Shadowmarch, Shadowrise was released in March, 2010. A fourth book, Shadowheart, completes the series. He is cofounder of an interactive television company, and is currently writing comic books and film and television scripts as well.

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Reviews (7)
Maybe it's because I came to Shadowheart directly from its dull predecessor, Shadowrise, but I found this book slow to start. Happily, after the first hundred or so pages, the pace picks up as things start happening. Sadly, it bogs down again in the last hundred pages.

Williams brings together a lot of the loose ends in this book, in a moderately satisfying way. However, there is also frustration - for example when Chert Blue Quartz comes up with a bright idea to save the day, but we aren't told what it is. Since the idea is a fairly obvious one, it quickly becomes irritating to have the text dance constantly around it - for hundreds of pages. Williams does make some interesting choices with Barrick, but much of the ending is fairly predictable.

As Williams' first series drew heavily on Tolkien-style epics, the end of this series draws on Greek mythology, with a little Christianity thrown in. To my mind, it added little but complication. There's a lot to be done with surprise and disappointment about the nature of the gods, but Williams, after approaching the idea, backs away.

Much more disappointing was the treatment of the Qar. After being fairly flat in Shadowmarch and Shadowplay, the Qar finally made a genuine showing in Shadowrise. I had great hopes for them in Shadowheart. Williams set them up as a great tragic race, and had me just waiting to have my heart broken. And then he sort of wandered on to other things. He created a great opportunity and then made the least of it. I wish I could say that he simply implies the tragedy with some subtletly, but I don't think that's it, or if it is, it doesn't work.

I give the book three stars because the action is much improved from book 3, and because of the potential of the Qar. Nonetheless, I continue to think that had books 3 and 4 our been condensed into one, the series as a whole would have been much stronger. Overall, the series comes out decent, but because of the slow finish (in books 3 and 4, and the end of book 4), it's hard to recommend. I'd say stick with Otherland and go no further.

I loved the resolution of most plotlines, and several managed to surprise me despite my fancying my chances as a well read Fantasy fan (doesn't happen often). There were at least two awesomely constructed red herrings as well, so the payoff worked.

It was refreshing to read fantasy with strong female characters that almost eclipse the male cast... and it was great to see a fresh take on a fraught Godhead and a nice twist to tropes like dwarves or the fae. Good world building here, and consistent in world resolutions to the central conflicts.

In terms of flaws, I didn't enjoy how long Tad Williams took to wrap up the tale. There were a few points in this book where I was getting impatient and tempted to skip pages. I think this book could've been shorter, and let a few questions unanswered (just because).

As things stand, Williams indulges himself a bit and ties every thread into a neat little bow, gives every character a good death or a literal/ figurative sunset to walk into, and goes on for a long series of chapters after the action is all done.

After one middling and three really good books, this I can forgive! Highly recommended reading this...

I'm an avid Tad Williams fan. In fact, he's one of those directly responsible for my own forays into fiction. So naturally, I've been chomping at the bit to get my hands on Shadowheart, the fourth book of the Shadowmarch trilogy. Yeah, that happened with Memory, Sorrow and Thorn, too. The third books are so large that they needed to be split into two volumes.

No thanks to niggling bodily needs like sleep and food, it took me two days to get through Shadowheart. It might have taken less but that I repeatedly had to go back and reread sections to understand what was going on and what day it was. There was a lot to follow. Williams' weaves together a lot of people and many different strands of story.

Honestly, it was a little confounding at times. For about the first third of the book, I had only a very muddled picture of who was going where and why. Ever since the failure of the Pact of Glass, I've been a little unclear as to what the different parties are trying to accomplish. Saqri's awake now, but her relationship with Ynnir isn't at all what we were led to believe. Lady Porcupine's orders to Barrick seem to have jarringly conflicting interpretations, both in purpose and motivation. Quinnitan is stuck for chapters in a cycle of capture and escape that is both confusing and sometimes monotonous.

There are several new material elements introduced at this late hour, magical artifacts that struck me as slightly random. They play their part, but I wonder if there was much point in using them. Those who wielded these talismans were every inch as menacing and dangerous as the things themselves. Why not just use the people as the threat, instead? Luckily, these do not factor too hugely into the final picture.

The flow of time perplexed me in places. Time for Briony, who is traveling over a long distance, seems to jump by days at a time. Meanwhile, Barrick spends much of the time unconscious and wakes with the readers sense that a day or more has passed. Under Southmarch, the hours seem to crawl by for Vansen. When the final culmination of events is a timed thing, this feeling of ungrounded time was a little annoying.

But Tad Williams, as ever, has a fee for the epic that I've loved and admired. And most of the characters are even conscious for the ending! The climax of Shadowheart is vast, complex and full of exactly the sort of great adventure I expect from Williams' books.

The characters, too, are wonderful, and are some of my favorites. Ferras Vansen, of course, amazing. Southmarch's guard captain is exactly the kind of stoic, good-hearted and brave character that usually makes me want to shatter teeth, but Vansen pulls it off. Both Briony and Barrick are convincing in their growth from children (one whiny and other over-stubborn) to capable adults and monarchs. Quinnitan doesn't inspire much in me, but she provides a strong anchor of affection for Barrick that I can at least appreciate. The secondary cast is full of life: Matty Tinwright, the cowardly and love-sick poet, Avin Brone, the aging and wilting spymaster, Sister Utta, the tired priestess. There are a lot more, all strong and vital in their own right. Williams seems to give the same loving care and detailed attention to every character, major or minor.

There are two nice twists, things that weren't what you thought they were going to be. In both cases, I really liked the twist, but thought that they could have benefited from a bit more foreshadowing.

The final moments of Shadowheart's climax struck me as a little weak. In story, not in execution. Williams' prose was beautiful as ever. While the logic of the decision makes sense, it lacked sufficient lead-up and the sort of poetic justice I've come to expect from his books. Chert and Beetledown certainly did their duty and more, but as to why it works, I can't say it really blew my skirt up.

The wrapup chapters went on a little longer than I expected. There were still a great many loose plot threads to be picked up... Which they were, but I couldn't help wondering if those threads needed to be there in the first place. It seemed a little late in the game to be getting into such involved events. But at least the long ending gave the Vansen/Briony and Barick/Quinnitan romantic plots to come to an unrushed conclusion. As you probably know, I'm a sucker for a good romance. So was I satisfied? Hm. Pretty much, though I couldn't help a couple of serious sighs at the end.

All in all, the Shadowmarch series is definitely worth reading, but hasn't beat out Memory, Sorrow and Thorn for my top epic fantasy spot. Considering Tad Williams is competing only with himself for that position, he could be doing a lot worse. I can't wait to see what he writes next.

Please see my review of the first book in this series. Frankly I don't see why Amazon asks people to review individual books in a series, since we really should just review it as a whole.

Anyway, to summarize: This is not Tad William's best effort. It's long, slow, dull, plodding, irritating, repetitive, and it mostly replicates the characters, motivations, and stories from his earlier "Memory, Sorrow, and Thorn". Read that instead if you like high fantasy, or better yet read the "Otherland" series if you like truly inventive speculative fiction. But don't read this.

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