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Photo, Art

Antony Gormley Drawing epub ebook

by Anna Moszynska

Antony Gormley Drawing epub ebook

Author: Anna Moszynska
Category: Individual Artists
Language: English
Publisher: British Museum Press (November 2002)
Pages: 208 pages
ISBN: 0714126322
ISBN13: 978-0714126326
Rating: 4.1
Votes: 636
Other formats: mobi docx lit rtf


Text by Anna Moszynska, from ANTONY GORMLEY DRAWING, published by The British Museum Press, London, 2002. BODY AND LIGHT, 1990 Carbon and casein on paper 15 x 2. cm.

Text by Anna Moszynska, from ANTONY GORMLEY DRAWING, published by The British Museum Press, London, 2002. BOABAB, 1991 Carbon and casein on paper 12 x 1.

Antony Gormley Drawing Hardcover – 1 Nov 2002. by Anna Moszynska (Introduction). This work presents the drawings of the sculptor Antony Gormley. Since the early 1980s drawing has been an essential part of the process whereby he has sought to "negotiate a relationship between the body as a thing and the body as a place".

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Select Format: Hardcover. ISBN13:9780714126326.

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In her text, Anna Moszynska analyzes the historical and critical meaning of Gormley’s graphic production, while Luca Massimo Barbero focuses, in an enlightening conversation with the artist, on the powerful tensions of his vision. The many images that accompany the text illustrate the mental and physical processes of his oeuvre.

Our meeting was prompted by a new book: Antony Gormley: Drawing Space, published to accompany a major exhibition in Rome, October 2010–June 2011, curated by Luca Massimo Barbero and Anna Moszynska, at MACRO – Museo d’Arte Contemporanea. The book examines the role drawing plays in his creative process and practice

Antony Gormley : drawing space. Antony Gormley, Luca Massimo Barbero, Anna Moszyńska, Museo d'arte contemporanea Roma.

Antony Gormley : drawing space.

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Text by Anna Moszynska, from ANTONY GORMLEY DRAWING, Published by The British Museum Press, 2002 By the second half of the 1990s, Gormley found that drawing was increasingly becoming something that he would d. .

Text by Anna Moszynska, from ANTONY GORMLEY DRAWING, Published by The British Museum Press, 2002 By the second half of the 1990s, Gormley found that drawing was increasingly becoming something that he would do while travelling, as this tended to be the only time that he 'could get away from making sculpture'. When travelling, the artist habitually carries materials with him from home (in this case, pigment) and uses others (here, tissue paper and copper sulphate) that he finds at hand on site. Creating one drawing after another, he develops an idea and keeps it going through the momentum of the flow of making in a single intense session of activity.

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